For slipping pegs, some violists use either peg compound or another product called peg drops (peg drops, also known as peg grip are used solely for slipping pegs). Peg compound will not only lubricate the peg, but will also provide enough friction so the peg will not slip. PEG COMPOUND & PEG DROPS Peg compound can be used to help lubricate sticking pegs (pegs that stick and are difficult to turn). For additional viola care suggestions, visit our Instrument Care page. It’s important to never use commercial furniture polish and/or water to clean your viola (doing so could damage the varnish and acoustics of the viola). The following commercial viola polish is formulated for stringed instruments and can be used to clean and polish your viola. Although polish is rarely necessary, there may be times when you need to clean your viola. VIOLA POLISH To clean your viola, all that is generally needed is a dry, lint-free cloth to wipe rosin from your strings after each playing session. Once these tapes are removed, the sticker residue may need to be cleaned from the fingerboard using an instrument cleaner such as Fiddlebrite. ![]() For pictures and additional fingering assistance, visit our Finger Placement page. 1/8") auto detailing pinstripe tape commercial instrument tape or they cut thin strips of tape using masking, painting, vinyl or electrical tape. Teachers often use a variety of different tapes such as pre-cut strips of graphic arts tape ( e.g. Visit our Rosin & Sound page for an explanation of how to use rosin.įINGERBOARD TAPE To assist beginning violists, some viola teachers use thin strips of colored tape to temporarily mark where students should place their fingers on the viola fingerboard. You may want to try several brands until you find the rosin you like best. Although most violists use a light colored rosin, some prefer a dark color (dark is softer & often more coarse). A good rosin will enable the bow to grip the string without sounding too rough or coarse. Rosin is generally shaped in round or oblong shapes. Without rosin, the bow will slide across the string and produce a faint whispery sound (or no sound at all). Maybe swapping out the crunchy options for a couple more acoustic models would have made it even more useful, but this remains an appealing six-string multi-tool and a genuine problem-solver for many gigging players.ROSIN Rosin provides the bow hair with friction in order to produce a sound when the bow is pulled across the viola strings. “The launch of the Acoustasonic Player Telecaster feels like a no-brainer move for Fender, spreading the potential appeal of what is virtually a whole new category of guitar. The feel of the bevelled arm rest and fingerboard edges says quality and comfort this is an inviting guitar and that Modern Deep-C neck will feel familiar to anyone who has played the electric Player series models.” A lovely dark rosewood fingerboard and bridge replaces the US version’s ebony, but that’s not anissue for us. “In terms of feel and build, we honestly can’t find a compromise between this Ensenada-made Player and the US Acoustasonics we’ve tried. MusicRadar: The onboard voice options might have been scaled down but the Acoustasonic Telecaster sticks the landing as a Player Series model, in what could be one of the guitars to make the hybrid build truly go mainstream.įender Player Series Acoustasonic Telecaster: The web says ![]() That, in sum, is the sort of thing the Acoustasonic format encourages. That said, it can be pressed into service of many different kinds of styles, perhaps some that are all your own. ![]() It is warmer, with a little more width than you’d expect from a Tele’s bridge pickup. Fender promises twang but this isn’t Pete Anderson levels of twang. Park yourself on position one for a more traditional electric guitar experience, but don’t necessarily expect a traditional Telecaster experience. In a sense, this is a sound that almost exists outside of the spectrum of acoustic/electric tones, and is sure to support pedalboard experimentation. The sound is just coming from the piezo and as you turn the blend control it adds drive. Here is where the true hybrid tones are, and as such, there are fewer references for what we are hearing.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |